Fellow composers, when you are working on a film how many revisions do you give the Director/Producer?
I’ve been giving them unlimited revisions because I believe in providing the best score for the film, but there are definitely times when things get really stressful.
Are there any of you who put limits on the amount of revisions on the contract? If so, how many revisions and is it effective?
Any help and advice is greatly appreciated.
Thank you!
